The 5-Second Trick For metafora
The 5-Second Trick For metafora
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Se escuchaba el lamento de las guitarras. (Se escuchaba un sonido triste procedente de las guitarras)
In both equally sentences, we are evaluating Jordan to your copyright. In the first sentence, the comparison is overt: the copyright is talked about specifically. But in the second sentence, we indicate that Jordan will be the copyright by evaluating his conduct (fanning his feathers) to something peacocks are recognized for accomplishing.
Fundamento: la similitud entre los fletes y los animales de carga, ambos capaces de transportar peso.
Explicación: se trata de una achievedáfora de complemento preposicional en la que se asocian dos términos a través de la preposición del
Fundamento: la semejanza en los tormentos que se relatan sobre el infierno y los padecimientos de los trabajadores en las minas de oro.
“A esa muchacha que fue piel de manzana…” (este verso de Serrat se refiere a la juventud que tenía la muchacha, con una piel tan tersa y lisa como la de esa fruta).
სულიერი საგნის თვისება გადატანილია სულიერ საგანზე (შენ ხმელო კაცო, წარბშეკრულო ხშირად და მკაცრო, / აქიმო წყლულის და ქადაგო გაზაფხულისა . . . მ. ლებანიძე)
Metafora ir viens no mākslinieciskās izteiksmes līdzekļiem. Par metaforām izmanto lietvārdus, īpašības vārdus un darbības vārdus.[three] Metaforas bieži tiek izmantotas dzejā.
Pun: A verbal system by which multiple here definitions of a word or its homophones are applied to provide a sentence numerous legitimate readings, usually to humorous outcome.
En 1517 el P. Bartolomé de las Casas tuvo mucha lástima de los indios que se extenuaban en los laboriosos infiernos de las minas de oro antillanas.
You wouldn’t ordinarily seek advice from your own home being a circus, but this sentence indicates that items are wild, total of excitement, and maybe a little chaotic with Mom out of your house.
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, penagih utang, orang atau badan tidak resmi yang membebani bunga pinjaman yang sangat tinggi kepada pihak peminjam uang.
: es el término o elemento al que hacemos referencia, que existe realmente y el que se anuncia de forma literal. En nuestro ejemplo, el tenor